In Yorick Magazine‘s Fall 2012 issue, we will be featuring work by Eleanor Leonne Bennett, a 16-year-old photographer who has had some amazing accolades in her field, including publishing her work with The Telegraph, The Guardian, and BBC News Website, as well as featuring her work in London, Paris, Los Angeles, and many other cities around the globe. Follow the link and check out Eleanor’s wonderful portfolio!
Dear readers and patrons of our little magazine,
I am regretfully announcing our decision to definitely close submissions for Yorick Magazine. This was not an easy choice to make. This was not a digestible idea at first. This was not how we pictured Yorick at the end of 2013.
But there should be no tears but smiles at the finish of this road. Admire yourselves for having the bravery to submit your work and extend your mind to ours. When the magazine began, I had no expectations that there would be such a community to follow this jester of an experiment. I have more faith in the online literary world than I ever had and ever knew. Thank you.
Thanks also to Lauren Wainwright for your layout, design, and graphic productions for this magazine, as well as being a great manager to our staff. You were a fantastic help and a backbone for Yorick.
Thanks to Olivia Errico, Dean Terrell, Sam Levenberg, and Ed Jameson for your amazing work respectively editing, “social-mediating,” writing content for Yorick, and producing The Skullcast. You were a bliss to work with.
Thanks to Jeremiah Walton for your indelible efforts to promote and support Yorick. Cheers!
Thanks to the other literary publications that associated with Yorick, especially The Gap-Toothed Madness, for your ability to share the literary space we tread online.
And, so importantly, thanks to Cody Steinhauer for the wonderful idea. You didn’t know it at the time, but your drunken plans for a magazine brought all these people together.
The website will stay up as long as WordPress exists. The online issues, too, will remain as long as Issuu.com exists. When we find the funding, print issues of the Summer and Fall 2013 issue will be sent out to contributors.
It was a pleasure serving you all.
Dear Lovers of the Aubade who fight to never leave,
We’ve had a slight jumping off since the summertime. Many of you have emailed about when the new issue will be coming out. Many have wondered why we haven’t had as many posts as usual. Many have developed new-found passions for optometry and are pursuing a lucrative career in the medical field. To all of you, I apologize.
Tragedy has hit many members of our staff lately. It has convinced us to grab onto our knees and dig our nails into the skin. Loss begets nothing more than reaching for a glass and having it drop before you can catch it. It’s the unfair it could have been different than this circumstance.
Know that what we’ve seen will make us better for you. What drives us to serve you is the love for art and communication and to make your experience on this lovely, lonely planet the best it can be. While we won’t be in full capacity until 2014, don’t forget about us. We won’t forget about you.
Today marks the publication of Yorick Magazine‘s fifth issue. We have harbored 44 unique writers and 9 artists since we began in 2011, and we are dogged to harbor more. Enjoy this new issue. It’s pretty.
Dear people who cross the digital expanse and pray their submitted work gets in,
You are the champions of the literary world. If you do not view yourself as “equal to” or “greater” than the literary magazines you support, then you are looking at this culture all wrong. What is a magazine without its submitters? What does it really mean to submit?
Let’s look at the definitions of “submitting” for a moment:
v. sub·mit·ted, sub·mit·ting, sub·mits
1. To yield or surrender (oneself) to the will or authority of another.
2. To subject to a condition or process.
3. To commit (something) to the consideration or judgment of another.
4. To offer as a proposition or contention: I submit that the terms are entirely unreasonable.
(Courtesy of http://www.thefreedictionary.com/Submitters)
If applied to writers, the first definition imagines the submitter as a small kingdom who yields to an empire greater than itself. So, by this definition, writers are lesser than and must abandon themselves and their values for what they perceive as the greater good. Of course, by obeying the empire, these writers can bring glory and fame to their name.
That’s a disgusting perspective to have, but we’ll continue.
The second definition is more appropriate, though it seems to waylay the emotional ability writers have and need to submit their work. It is not just a “condition” or “process.” This definition forgets that it’s a love for the work. It’s a respect for the work. Therefore, it’s a love, respect, and need for the writer.
As the fourth definition doesn’t seem truly applicable, the third definition ascends to be our best bet. Writers committing (prose or poetry or artwork or photography) to the consideration or judgment of a magazine. Consideration seems to have a more positive connotation than judgment. Yet, while this is the most salient definition of “submitting” for the writer to bear in mind, the question for all writers to consider is “Does this magazine have the authority to judge my work?”
I will be the first to say that literary magazines do not and should not carry the pomp they brag of. The word “magazine” comes from the French word magasin, which translates to “storehouse.” Does the word translate to “publication that reaps the benefits of its contributors and is more important than them”? No.
Moreover, a storehouse must be filled with goods to function. Without the goods, there would be no storehouse. However, without a storehouse, the goods cannot be distributed. Nonetheless, I believe the ones who share their goods with the world are the better people at the end of the day.
Do I contradict myself by posting a shameless advertisement of Yorick as the picture in this post? No. It’s my job to shamelessly advertise my magazine. It’s a storehouse for crying out loud. How else are Greek citizens going to know to come here for their oil and fleece skeins?
I’ve talked with several individuals in the immediate literary community who are committed to caring for submitters. Jeremiah Walton, of Nostrovia fame, is continuously working to create projects like The Traveling Poet so that writers have more opportunities to be heard. Brittany Wright and Richard Barnhardt at The Gap-Toothed Madness have created a newsletter for their submitters and contributors detailing new ways to submit work. It’s magazines like these that appreciate the writer.
So, submitters: you are not the worthless creatures you believe yourselves to be. You are not the mercenaries who struggle to make a living by providing service to an emperor. You are the artifacts that the acolytes struggle to collect. Some artifacts are undiscovered, some are found and made public.
Whether admitting it or not, the acolyte, a wretch in torn cloth, dreams only of finding the best.
Dear Storywriters, Storyhearers, and Pythonians,
The Summer 2013 reading session is over. To those who submitted, wonderful work so far. We’re still evaluating your pieces and will come to a decision. To those who didn’t submit, shame, forsakenness, misdeed upon your household! Or your wifi. Whichever affects you more.
You can always submit to our fine little literary magazine at firstname.lastname@example.org. If you missed the deadline for the Summer 2013 issue, why not submit for the Fall 2013 issue?
Do it. This is a warranted challenge. So is the following:
As we run from attack dogs and march in tune, we realize that submitting work is a tough process. It’s equitable to raising children and sending them off into the world to get jobs—except your children can get rejected and you have to revise them to make them perfect.
Sounds pretty dystopian to me.
But it’s what writers do. All storytellers need to strive to find their medium. We don’t all have the honor of telling our tales to a tribe by the fireside in the desert. We don’t all have enthusiastic grandchildren who honor us with their ears. What we do have is the Internet.
The first magazine I successfully submitted to, Postcard Shorts, is a sweet affair with remote flash fictions that take your mind away for a few minutes, roughly. It’s an enjoyable publication and a reminder of why we write. Escape. A chance to travel to a new world, one not too far away but not so subtly in an inaccessible dimension.
That’s a lie. We submit to become famous. You want to be in an echelon where strangers will glorify your work and your friends will say, “Wow, I grew up with that chick, and now she’s a famous novelist/ short story writer/ poet? I really suck.” However, you can always relieve non-writer friends by reminding them that your pay affords the pens and paper you write with.
So escape and fame. What else? Here’s a thought: we’re all writing to concoct the same dream with different pieces, chemicals, people. A complete story, with a beginning, middle, and end (unless you’re one of those absurdist-surrealist compatriots, and to you I say write on). Detective solves a mystery. Lovers solve the mystery of love. Gloomy poets solve the mystery of isolation with more isolation. It’s completeness we seek; passengers on the same boat, towards the same lonely island, we take up different cabins believing we’re original.
Can you submit before the vicious dog reaches the fence in three seconds?
Yes. Absolutely yes.
Remember that even though our songs sound different, they follow the same tune. Go buy yourself some caviar, you peasant. You’ve earned it.
Dear Wendigos and Other Beasts of Folklore,
I hope you’re doing well out there in the Blogosphere. I’ve heard it’s cold sometimes.
The poems, stories, artwork and photography we’ve imprisoned in our first issue from this year are screaming to get out and into your heads! If you haven’t seen our literary brig, go to our ISSUES section and take a gander at our literary magazine.
Here’s the fun part of this post—and definitely not the self-marketing in-your-face advertisement blurb—as I’d like to make a shout out to some literary œuvres de grandeur (see that! French!) that you should know about. They’re all very, very cool publishers of the best, the best of the best, and the best of the best bests, and deserve 96% of your attention. The other 4% can be zoned out. That’s totally fine.
Click on the pictures to visit their websites!
1. The Gap-Toothed Madness
This lit mag based in Sacramento, CA is already a strong contender as a fantastic and sophisticated compilation of work from around the world. One of their featured writers is actually a Yorick alum, Fred Pollack, one of our Spring 2013 issue’s poets. With amazing cover art and a printed magazine you can order here, this publication has a lot to smile about. This madness is currently accepting work.
With a cryptic “Welcome Home” that makes me rethink where I’ve been these past two decades, Undergroundbooks.org deals in the cryptic and the utterly wonderful. Featuring eclectic poets and several neat ebooks, this online publishing house of silken onyx has scored a subterranean following as well as my heart. Some types of prose and poetry you may submit are prison diaries (if you’ve recently been to prison), poetry made through animated gifs, and children’s books, which will be tested on the editors’ children, among the more typical stuff. This underground dwelling is currently accepting work.
3. Hobo Camp Review
A four-season camp full of weathered raconteurs, this magazine is in its seventeenth issue. If you’re looking to read earthy realities and salient truths, come here. Some notable work to mention is by Melissa Prunty Kemp and James Tyner, among an amazing camp of “road-weary storytellers” that will surely send your dreams to the forest. This hobo camp is currently accepting work.
4. Miracle E-zine
Sporting gorgeous artwork, poetry, fiction, film reviews, writing contests, and other special features (I particularly like the “Writer’s Guide to Reading” in Issue 6), Miracle is a miracle—not that its talented staff and writers can put together such great work, but that we can have such a beautiful publication to grace our existence. For their writers’ group, click here. This miracle is currently accepting submissions.
5. Decades Review
This is the kind of lit review you look for when you sink back in your couch, pull up your laptop, and browse for good, meaningful writing. The Decades Review is inspiring, full of great management, interviews, and, of course, pieces of fine literature and artwork. I hope this publication runs for years. This decade is currently accepting submissions.
Thanks for reading, folks! Support these magazines with your time, love, and memory. Reading the work of others, comrades, is as important as submitting your own work.
It’s a monster of a world without friends. Even for a wendigo.
Dear Folks, Yolks, and Volkswagens,
The new issue of Yorick Magazine has been placed on Earth by divine touch.
It’s true! We mean it!
After hours of deliberation, editing, loitering, lawyering, confrontation, galactic battle, voyeurism, and pandas, the fourth issue of Yorick Magazine is here! The Spring 2013 issue has been published, featuring the work of several wonderful poets, fictionists, and artists, including Giuseppi Martino Buonaiuto, Jeremiah Walton, Matheus Fialho Fiuza, and James Colville. Take a gander, take a peek; send it to your friends, your uncles, your deer; serve it to your local Democrats Club for lunch, or feature it as the 19th hole of your town’s miniature golf course.
Excited? Enjoy your literary exploration. Don’t forget to like it on the Issuu page!
Thanks to all contributors! All acceptance decisions were tough to make. However, we feel that the pieces we chose were exceptional beyond the starry limit that we set.
Thanks also to you, our wonderful readers. You are members of a beautiful community. You support a work of love with your thoughts and eyes. Your warmth shimmers. For that, we’re grateful.
Dear North Koreans, South Koreans, and other Balkanized Citizens of the World,
Yorick Magazine is winding up its first harvest of the year for its Spring 2013 issue, which will be due in some time in late March or early April. We’ve gotten dozens of lovely pieces from writers and poets from around the world. If you like to submit writing to magazines, now is your chance to add your story into the frothy broth of our submission soup.
Deadline for submissions is March 18th, 2013.
We take poetry and short story submissions. We also take novel excerpts. We also take clown memoirs, disco aftermaths, parade streamers, Hawaiian treaties, and constitutions from legitimate countries (and not those threatening to blow us the hell up!)(Even though we’d do the same to you, you scary world).
If you have an eye for aesthetics, or even if you don’t, please feel inspired to submit photography. The moments you capture will be released within the confines of Yorick, so if they’re incredibly dangerous, do not worry. We do have the technology for such fine work. If it’s revolutionary, we will make grilled cheeses for the partisan warriors of the resistance.
You should submit art, too. Yorick beckons for original artwork, as the menaces of the image scribe tend to delegate wonderful nuances in image councils, who bear good will to the image world. Did you detect the metaphor their? The image metaphor? No? Yes?
Are you quibbling? Don’t! You’re doing us a favor by providing our phantasmagorical magazine with your poetry, art, photography, and short story submissions, along with the other fancies that you hide in your trunk of work. We are looking for tales in words and images (aha!), stories within walls, people in places we never thought they could roam. It’s a challenging proposition, but we mean it. We want your best, and we’ll accept your best.
Fair warning: if Kim Jong-Un submits his poetry to us, we will accept it bar-none. Sorry folks.
Remember, March 18th! March 18th! Submit everything! All of it!
– Alex, Editor-in-Chief
You dear fine people! Avast, she comes to us in silver dreams:
Thank you for the wait. Enjoy poetry by Regina Lloyd and Joe Stokes, along with fiction by Matthew Myers, Christina Schillaci, Christopher King, and Christian Belland. Artwork is provided by Eleanor Leonne Bennett, Elisabeth Stonaker, and Jenea Turner.
Read this issue. Consume this issue. Let us know what you savor the most.
Yorick Magazine will be back in Spring 2013. In the meantime, keep your eyes upon us! We’ll be adding new and interesting content in the coming months (which may feature flying ducks and couture ash trays). Don’t hesitate to submit your finest work to email@example.com. Be a part of this exciting and frivolous piece of raw humanity.
Until next time, stay safe from the aqua bears.
– Alex, Editor-in-Chief
Dear Readers, Writers, and Fish Entrepreneurs,
The deadline for our Fall issue is approaching! Just in case Internet Trawlers don’t know who we are, or what we aim to do, here’s a little spam to fry in the pan:
Yorick Magazine is now accepting submissions for its Fall 2012 issue. The deadline is August 1st.
We’re a magazine for new writers, emerging artists, innocent dreamers. We’re interested in something fresh, with design and art at hand, but with sincere intentions at the forefront.
We accept short stories and novel excerpts of 3500 words or less, and we accept poems of a comparable length. We are also interested in artwork and photography (please submit pictures with high resolution).
We don’t care about genres. Just write. If your piece happens to take place in space, then make it so.
All submissions go to firstname.lastname@example.org. We’re pretty quick with our response time, but if you haven’t heard back from us or if you have any questions, don’t hesitate to send another email.
Yes, we have the full social media gamut covered.
And in case denizens of the future question how we started, I’ll lightly mention that our magazine came into fruition from drunken ramblings on a dirty bathroom floor at 3:32am, November 11th, 2011. That’s how the best ideas begin.
photo credit: Brianna Ford