Hello viewers! Since we’re nearing the holidays (a temporary asylum from the plague of day jobs), I thought it was high time to have another post. Today you’re in for a nasty good treat, since Yorick Magazine interviewed Jayme Karales, a young and horrorshow author and host of Shootin’ it with Jayme and Kenney. I proverbially sat down with him to discuss the existential benefits of writing as well as his debut novel, Disorderly.
1. Tell me about yourself. Jayme Karales is a writer from Boston with a podcast and a cool ass beard. I want to know more!
First off, thank you for recognizing the awesomeness of my facial hair. You’re the first interviewer to do that and I think my beard is very underappreciated. Second, in addition to being a writer and podcaster from Boston, I’m also a cat hoarder, a Tumblr addict, and a passionate hater of all things Wes Anderson.
2. How did you find writing? Or did it find you? Writers always have that story that narrates the triumphs and tribulations of discovering the Golden Fleece of what they want to do for the rest of their lives. What was your quest?
I’ve always been interested in storytelling. If I weren’t a storyteller, I’d probably be a pathological liar. I can remember being 4 years old, sitting in front of one of those old, 30 lb. home-movie camcorders and just rattling off random stories—or telling my mom to write things down on a piece of paper while I drew the crudest fucking Power Ranger drawings you can imagine. So I’ve been interested in writing—in my own way—from the jump.
3. How would you approach a dystopian future that eliminated written forms of communication?
That actually doesn’t sound too bad. I figure I’ll probably square myself away in a cabin in the woods somewhere by the time I’m 50, so I’ll welcome it.
Now, about your stuff:
4. Why did you write Disorderly?
I came across a prompt for a short story anthology that essentially said, ‘write a zombie story that features a protagonist suffering from cancer.’ When I actually got into it, I couldn’t cut it down to 10,000 words so I just kept going and wound up writing my first novel, Disorderly.
When I did get into writing it, the goal became: break the reader’s expectations and deliver something that will push their boundaries. Based off of the reviews, I think I did that.
5. The setting in your work is always heavily emphasized and very real to you. Massachusetts and its communities especially play a part in “Youth” and Disorderly. What drives you to include these locations?
Convenience and character. I know Massachusetts better than I know any other state and I feel like there’s a certain flavor here that you can’t find in, say, Oregon. Go to the right part of Boston and you’ll find a well-dressed Harvard grad standing 10 ft. away from some Dorchester townie calling his buddy a “cawksuckuh.” There is a variety of over-the-top, clashing personalities here and in an unconventional way that’s part of its charm.
6. I absolutely love “SNES” from David Bowie is Dead, your collection of poetry/prosetry/multimedetry. How is fiction different for you than shorter, more lyrical works?
Fiction takes a lot more effort and a lot more care than poetry or prose. Poems are random blurbs that pop into my head. Fiction is a culmination of ideas that I can no longer keep bound to my brain.
7. Are you aware of anticipated obituaries? I typed up “David Bowie is Dead” in glorious Google and found this.
I was not. Now I have something new to aim for.
“Jayme K. is the author of the novel Disorderly, as well as numerous short stories, essays, and poems. His work has been published by UnHollywood, Before Sunrise Press, Underground Books, Miracle E-zine, Nostrovia! Poetry, Slasher Studios, Your Daily Subvert, Moon Project, and Flash Fiction 365. He lives in Boston.”
Dear Wendigos and Other Beasts of Folklore,
I hope you’re doing well out there in the Blogosphere. I’ve heard it’s cold sometimes.
The poems, stories, artwork and photography we’ve imprisoned in our first issue from this year are screaming to get out and into your heads! If you haven’t seen our literary brig, go to our ISSUES section and take a gander at our literary magazine.
Here’s the fun part of this post—and definitely not the self-marketing in-your-face advertisement blurb—as I’d like to make a shout out to some literary œuvres de grandeur (see that! French!) that you should know about. They’re all very, very cool publishers of the best, the best of the best, and the best of the best bests, and deserve 96% of your attention. The other 4% can be zoned out. That’s totally fine.
Click on the pictures to visit their websites!
1. The Gap-Toothed Madness
This lit mag based in Sacramento, CA is already a strong contender as a fantastic and sophisticated compilation of work from around the world. One of their featured writers is actually a Yorick alum, Fred Pollack, one of our Spring 2013 issue’s poets. With amazing cover art and a printed magazine you can order here, this publication has a lot to smile about. This madness is currently accepting work.
With a cryptic “Welcome Home” that makes me rethink where I’ve been these past two decades, Undergroundbooks.org deals in the cryptic and the utterly wonderful. Featuring eclectic poets and several neat ebooks, this online publishing house of silken onyx has scored a subterranean following as well as my heart. Some types of prose and poetry you may submit are prison diaries (if you’ve recently been to prison), poetry made through animated gifs, and children’s books, which will be tested on the editors’ children, among the more typical stuff. This underground dwelling is currently accepting work.
3. Hobo Camp Review
A four-season camp full of weathered raconteurs, this magazine is in its seventeenth issue. If you’re looking to read earthy realities and salient truths, come here. Some notable work to mention is by Melissa Prunty Kemp and James Tyner, among an amazing camp of “road-weary storytellers” that will surely send your dreams to the forest. This hobo camp is currently accepting work.
4. Miracle E-zine
Sporting gorgeous artwork, poetry, fiction, film reviews, writing contests, and other special features (I particularly like the “Writer’s Guide to Reading” in Issue 6), Miracle is a miracle—not that its talented staff and writers can put together such great work, but that we can have such a beautiful publication to grace our existence. For their writers’ group, click here. This miracle is currently accepting submissions.
5. Decades Review
This is the kind of lit review you look for when you sink back in your couch, pull up your laptop, and browse for good, meaningful writing. The Decades Review is inspiring, full of great management, interviews, and, of course, pieces of fine literature and artwork. I hope this publication runs for years. This decade is currently accepting submissions.
Thanks for reading, folks! Support these magazines with your time, love, and memory. Reading the work of others, comrades, is as important as submitting your own work.
It’s a monster of a world without friends. Even for a wendigo.