Dear readers and patrons of our little magazine,
I am regretfully announcing our decision to definitely close submissions for Yorick Magazine. This was not an easy choice to make. This was not a digestible idea at first. This was not how we pictured Yorick at the end of 2013.
But there should be no tears but smiles at the finish of this road. Admire yourselves for having the bravery to submit your work and extend your mind to ours. When the magazine began, I had no expectations that there would be such a community to follow this jester of an experiment. I have more faith in the online literary world than I ever had and ever knew. Thank you.
Thanks also to Lauren Wainwright for your layout, design, and graphic productions for this magazine, as well as being a great manager to our staff. You were a fantastic help and a backbone for Yorick.
Thanks to Olivia Errico, Dean Terrell, Sam Levenberg, and Ed Jameson for your amazing work respectively editing, “social-mediating,” writing content for Yorick, and producing The Skullcast. You were a bliss to work with.
Thanks to Jeremiah Walton for your indelible efforts to promote and support Yorick. Cheers!
Thanks to the other literary publications that associated with Yorick, especially The Gap-Toothed Madness, for your ability to share the literary space we tread online.
And, so importantly, thanks to Cody Steinhauer for the wonderful idea. You didn’t know it at the time, but your drunken plans for a magazine brought all these people together.
The website will stay up as long as WordPress exists. The online issues, too, will remain as long as Issuu.com exists. When we find the funding, print issues of the Summer and Fall 2013 issue will be sent out to contributors.
It was a pleasure serving you all.
Dear people who cross the digital expanse and pray their submitted work gets in,
You are the champions of the literary world. If you do not view yourself as “equal to” or “greater” than the literary magazines you support, then you are looking at this culture all wrong. What is a magazine without its submitters? What does it really mean to submit?
Let’s look at the definitions of “submitting” for a moment:
v. sub·mit·ted, sub·mit·ting, sub·mits
1. To yield or surrender (oneself) to the will or authority of another.
2. To subject to a condition or process.
3. To commit (something) to the consideration or judgment of another.
4. To offer as a proposition or contention: I submit that the terms are entirely unreasonable.
(Courtesy of http://www.thefreedictionary.com/Submitters)
If applied to writers, the first definition imagines the submitter as a small kingdom who yields to an empire greater than itself. So, by this definition, writers are lesser than and must abandon themselves and their values for what they perceive as the greater good. Of course, by obeying the empire, these writers can bring glory and fame to their name.
That’s a disgusting perspective to have, but we’ll continue.
The second definition is more appropriate, though it seems to waylay the emotional ability writers have and need to submit their work. It is not just a “condition” or “process.” This definition forgets that it’s a love for the work. It’s a respect for the work. Therefore, it’s a love, respect, and need for the writer.
As the fourth definition doesn’t seem truly applicable, the third definition ascends to be our best bet. Writers committing (prose or poetry or artwork or photography) to the consideration or judgment of a magazine. Consideration seems to have a more positive connotation than judgment. Yet, while this is the most salient definition of “submitting” for the writer to bear in mind, the question for all writers to consider is “Does this magazine have the authority to judge my work?”
I will be the first to say that literary magazines do not and should not carry the pomp they brag of. The word “magazine” comes from the French word magasin, which translates to “storehouse.” Does the word translate to “publication that reaps the benefits of its contributors and is more important than them”? No.
Moreover, a storehouse must be filled with goods to function. Without the goods, there would be no storehouse. However, without a storehouse, the goods cannot be distributed. Nonetheless, I believe the ones who share their goods with the world are the better people at the end of the day.
Do I contradict myself by posting a shameless advertisement of Yorick as the picture in this post? No. It’s my job to shamelessly advertise my magazine. It’s a storehouse for crying out loud. How else are Greek citizens going to know to come here for their oil and fleece skeins?
I’ve talked with several individuals in the immediate literary community who are committed to caring for submitters. Jeremiah Walton, of Nostrovia fame, is continuously working to create projects like The Traveling Poet so that writers have more opportunities to be heard. Brittany Wright and Richard Barnhardt at The Gap-Toothed Madness have created a newsletter for their submitters and contributors detailing new ways to submit work. It’s magazines like these that appreciate the writer.
So, submitters: you are not the worthless creatures you believe yourselves to be. You are not the mercenaries who struggle to make a living by providing service to an emperor. You are the artifacts that the acolytes struggle to collect. Some artifacts are undiscovered, some are found and made public.
Whether admitting it or not, the acolyte, a wretch in torn cloth, dreams only of finding the best.
Dear Wendigos and Other Beasts of Folklore,
I hope you’re doing well out there in the Blogosphere. I’ve heard it’s cold sometimes.
The poems, stories, artwork and photography we’ve imprisoned in our first issue from this year are screaming to get out and into your heads! If you haven’t seen our literary brig, go to our ISSUES section and take a gander at our literary magazine.
Here’s the fun part of this post—and definitely not the self-marketing in-your-face advertisement blurb—as I’d like to make a shout out to some literary œuvres de grandeur (see that! French!) that you should know about. They’re all very, very cool publishers of the best, the best of the best, and the best of the best bests, and deserve 96% of your attention. The other 4% can be zoned out. That’s totally fine.
Click on the pictures to visit their websites!
1. The Gap-Toothed Madness
This lit mag based in Sacramento, CA is already a strong contender as a fantastic and sophisticated compilation of work from around the world. One of their featured writers is actually a Yorick alum, Fred Pollack, one of our Spring 2013 issue’s poets. With amazing cover art and a printed magazine you can order here, this publication has a lot to smile about. This madness is currently accepting work.
With a cryptic “Welcome Home” that makes me rethink where I’ve been these past two decades, Undergroundbooks.org deals in the cryptic and the utterly wonderful. Featuring eclectic poets and several neat ebooks, this online publishing house of silken onyx has scored a subterranean following as well as my heart. Some types of prose and poetry you may submit are prison diaries (if you’ve recently been to prison), poetry made through animated gifs, and children’s books, which will be tested on the editors’ children, among the more typical stuff. This underground dwelling is currently accepting work.
3. Hobo Camp Review
A four-season camp full of weathered raconteurs, this magazine is in its seventeenth issue. If you’re looking to read earthy realities and salient truths, come here. Some notable work to mention is by Melissa Prunty Kemp and James Tyner, among an amazing camp of “road-weary storytellers” that will surely send your dreams to the forest. This hobo camp is currently accepting work.
4. Miracle E-zine
Sporting gorgeous artwork, poetry, fiction, film reviews, writing contests, and other special features (I particularly like the “Writer’s Guide to Reading” in Issue 6), Miracle is a miracle—not that its talented staff and writers can put together such great work, but that we can have such a beautiful publication to grace our existence. For their writers’ group, click here. This miracle is currently accepting submissions.
5. Decades Review
This is the kind of lit review you look for when you sink back in your couch, pull up your laptop, and browse for good, meaningful writing. The Decades Review is inspiring, full of great management, interviews, and, of course, pieces of fine literature and artwork. I hope this publication runs for years. This decade is currently accepting submissions.
Thanks for reading, folks! Support these magazines with your time, love, and memory. Reading the work of others, comrades, is as important as submitting your own work.
It’s a monster of a world without friends. Even for a wendigo.